Author: Chochmat Nashim

Hollywood created the “Let My People Go” idea, but, in reality, all Moses asked for was a three-day furlough to worship God. A statement to that effect is made at least three times in the exodus story. Nowhere is there an indication that he intends for the Israelites not to return. This apparent lie of purpose therefore seems to come from God Himself, forcing one to ask, “Could God not have found a more moral upright way of taking His Chosen People out of Egypt, without resorting to deceptions and untruths?” Does God lack power that He need resort to deceit?

The simplest approach is to suggest that this was not a real lie but one of omission: the Israelites said they were leaving for the three days. They never once said that they were not coming back. If that is what Pharaoh assumes, well, then that’s his problem. Moses says that they would go and sacrifice to God for three days, and leaves out that they would then continue on to freedom, let the Egyptians think whatever they want.

This answer is unsatisfactory; it is still dishonest. Yet many commentators opine that sometimes deception is necessary and therefore justified. Moreover, in this case, would such an attept to deceive be believed? What dictator would allow a whole work force to leave overnight? In addition, God had promised Abraham that the Israelites would leave Egypt with “riches” — which could only happen by means of the Israelites’ “borrowing” gold and silver from their Egyptian neighbors. And who would have given up their wealth had they believed the Israelites were gone for good? Finally, had Pharaoh and his nation known that Moses’ people were leaving for good, they would not have chased them, as they did upon the realization that they had fundamentally moved on. But wasn’t the Egyptian army’s demise at the bottom of the sea part of the goal?

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The setting: Egypt, in the most intense period of Jewish slavery. The conversation: Between G-d and Moses. The purpose: To create a plan for how G-d, through Moses, will bring the Jewish people to freedom. The obstacle: Pharaoh, who is holding the Jewish people hostage and will not let them go easily.

Before Moses and Aaron even approach Pharaoh, G-d already states “But I shall harden Pharaoh’s heart” and “Pharaoh will not heed you” (Gen. 7:3-4).  Soon after this conversation, Moses and Aaron meet Pharaoh in person and match wits as both Aaron and Pharaoh’s sorcerers turn their staffs into snakes. As Pharaoh and his court watch, Aaron’s snake swallows the other snakes, visibly demonstrating that the might of the Jewish G-d is superior. And yet, as G-d predicted, Pharaoh is unmoved: “The heart of Pharaoh was strong and he did not heed them, as Hashem had spoken” (Gen. 7:13).

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It may be the middle of January in the year 2020, but in shul this week, we are sliding back into Egyptian slavery. Genesis, with its cosmic beginning, family dramas, and covenantal narratives, has come to an end far too soon, and we find ourselves facing the mesmerizing if challenging tale of our national origins. Here it is again: the sudden, crushing oppression, the sighs and gasps of Israelite consciousness, our emerging leaders, the terrifying plagues, God’s might in full force, the hasty exit in the middle of the night. And as with all stories to which we return, there is newness within the familiarity, old ways of reading interlaced with new possibilities. For we are not shaped by the same conditions as we were last year. This year, we may be drawn to new aspects, find ourselves thinking about different elements and flashpoints than before. And so it goes.

But this is not a story like any other. It is not simply a tale of our national origins, an epic account of how we came to be. The exodus story is our container as a people, its contours holding the shape of our essence, our mission, the way we ought to be in the world. Telling this story is mandated by the Torah, it is an imperative. Each year, crowded around our scrubbed down dining room tables, we gather to teach and reteach, listen and listen again, trying our best to inhabit the story, make it our own. The distant past, our ephemeral present, and the unforeseen future fuse through our efforts. As we read, “In each and every generation, a person is obligated to see himself as if he left Egypt..” There is no completion in our telling, no having done it well. We will come back again to it again next year.

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Recall the dramatic story of Joseph revealing himself to his brother’ in Genesis chapter 45 (it was just last week), after he witnessed that their regret at having sold him. When Judah tries to prevent Joseph taking Benjamin from the family, Joseph can no longer be the viceroy Egypt, and he insists on alone-time with his family to identify himself to them.

It would seem after this climatic encounter between Joseph and his brothers that all is forgiven and they are starting fresh.  By acknowledging and invoking God’s hand in the events that brought them to this specific moment in time, it seems that Joseph has forgiven his brothers because it was all meant to be. The story is over and presumably, after Joseph moves his whole family down to Goshen where there is food for their children and pasture for their animals, this story has come to an end.

Yet, the tensions and rivalries between Joseph and his brothers resurface after the death of the father Jacob. Jacob dies at the end of chapter 49 and chapter 50 describes his burial back in Canaan, as requested on his deathbed.

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Literally meaning “not falling together,” an asymptote is the term given for when a curve approaches a line more and more closely but never actually ever touches it. It’s the name given to the phenomenon of striving continuously for something but never being able to attain it fully. It’s when you’re one millimeter away from something and to the eye’s view, it seems like you’re touching something, but you’re tantalizingly not.

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וַיִּגַּשׁ אֵלָיו יְהוּדָה, “And Judah came close to him’”(Gen. 18.4). The scene is one of tenterhooks and apprehension. Judah is about to plead for his brother Benjamin’s security and so dispenses with the interpreter to speak, at his own peril, directly with Joseph, viceroy of Egypt.

This coming close predicates Judah’s success. And yet it is a strange choreographing.

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I have a confession to make. Having grown up in London, it is always at this time of year that I miss the “Christmassy” feel from home. Coming from a religious Orthodox home, we never celebrated Christmas — far from it — but the sound of those heart-warming songs on the radio, the prevalent festive and relaxed mood surrounding us, the pretty lights and decorations, and of course the Queen’s Speech on Christmas Day was certainly not lost on me. And though I don’t think there is anything wrong with enjoying the cultural feel-good factor of another religion’s celebrations, it strikes me as a travesty when religious particularities and traditions take on a glib generality that makes them indistinguishable one from the other.

How much are we to take from other cultures or religions? Is there a moment in our appreciation of the “other” that we lose the sense of our own particularity? When does appreciation become assimilation? Are we to shut ourselves off from the world so as not to become “influenced” by the other, or are we to engage in the world at the risk of sacrificing our own identity and uniqueness? How best can we become a “light unto the nations”?

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